Love, and Other Stories by Anton Pavlovich Chekhov

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By Ava Marino Posted on Dec 26, 2025
In Category - Expedition Notes
Chekhov, Anton Pavlovich, 1860-1904 Chekhov, Anton Pavlovich, 1860-1904
English
Hey, have you ever felt like you're watching your own life from the outside? That's the heart of this collection. It's not one big story, but a bunch of small ones about ordinary people in 19th-century Russia. You'll meet a man who thinks he's won the lottery, a doctor stuck in a loveless marriage, and a woman waiting for a train that might change everything. Chekhov doesn't give you huge dramas or easy answers. Instead, he shows you quiet moments where someone realizes their life isn't what they thought it was. It's about the gap between what we want and what we have. These stories stick with you because they feel so real. They're short, but they pack a punch. Perfect for when you want something thoughtful but don't have time for a huge novel.
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one's own day-dreams while the spring night looks in at one's window. Between the lines I saw a beloved image, and it seemed to me that there were, sitting at the same table writing with me, spirits as naïvely happy, as foolish, and as blissfully smiling as I. I wrote continually, looking at my hand, which still ached deliciously where hers had lately pressed it, and if I turned my eyes away I had a vision of the green trellis of the little gate. Through that trellis Sasha gazed at me after I had said goodbye to her. When I was saying good-bye to Sasha I was thinking of nothing and was simply admiring her figure as every decent man admires a pretty woman; when I saw through the trellis two big eyes, I suddenly, as though by inspiration, knew that I was in love, that it was all settled between us, and fully decided already, that I had nothing left to do but to carry out certain formalities. It is a great delight also to seal up a love-letter, and, slowly putting on one's hat and coat, to go softly out of the house and to carry the treasure to the post. There are no stars in the sky now: in their place there is a long whitish streak in the east, broken here and there by clouds above the roofs of the dingy houses; from that streak the whole sky is flooded with pale light. The town is asleep, but already the water-carts have come out, and somewhere in a far-away factory a whistle sounds to wake up the workpeople. Beside the postbox, slightly moist with dew, you are sure to see the clumsy figure of a house porter, wearing a bell-shaped sheepskin and carrying a stick. He is in a condition akin to catalepsy: he is not asleep or awake, but something between. If the boxes knew how often people resort to them for the decision of their fate, they would not have such a humble air. I, anyway, almost kissed my postbox, and as I gazed at it I reflected that the post is the greatest of blessings. I beg anyone who has ever been in love to remember how one usually hurries home after dropping the letter in the box, rapidly gets into bed and pulls up the quilt in the full conviction that as soon as one wakes up in the morning one will be overwhelmed with memories of the previous day and look with rapture at the window, where the daylight will be eagerly making its way through the folds of the curtain. Well, to facts. . . . Next morning at midday, Sasha's maid brought me the following answer: "I am delited be sure to come to us to day please I shall expect you. Your S." Not a single comma. This lack of punctuation, and the misspelling of the word "delighted," the whole letter, and even the long, narrow envelope in which it was put filled my heart with tenderness. In the sprawling but diffident handwriting I recognised Sasha's walk, her way of raising her eyebrows when she laughed, the movement of her lips. . . . But the contents of the letter did not satisfy me. In the first place, poetical letters are not answered in that way, and in the second, why should I go to Sasha's house to wait till it should occur to her stout mamma, her brothers, and poor relations to leave us alone together? It would never enter their heads, and nothing is more hateful...

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The Story

This isn't a single novel, but a collection of Chekhov's short stories. There's no shared plot. Instead, each story is a brief, brilliant snapshot of a life. In one, a man becomes convinced a lottery ticket has changed his fate. In another, a doctor on a remote estate treats a patient and confronts his own loneliness. A woman named Anna waits at a train station, hoping for a visitor who represents an escape from her dull existence.

The stories are set in the Russian countryside and towns of the late 1800s. They follow teachers, artists, landowners, and clerks. Nothing earth-shattering happens on the surface. The real action is internal, happening in the characters' minds as they face small disappointments, quiet hopes, and sudden moments of clarity.

Why You Should Read It

Chekhov is a master of the 'nothing happens, but everything changes' story. His characters feel incredibly modern. They're stuck, they're bored, they dream of something more, and they often misunderstand each other completely. He has this gentle, clear-eyed way of showing human weakness without being cruel.

Reading these stories is like looking through a perfectly clear window into another time, only to see feelings you recognize instantly. The translation in this collection is fantastic—it reads naturally, not like a stuffy old classic. You can finish a story in ten minutes, but you'll think about it for an hour.

Final Verdict

This book is for anyone who loves people-watching or finds beauty in everyday life. If you enjoy quiet, character-driven films or shows, you'll love this. It's also perfect for busy readers who want something substantial in small doses. Don't go in expecting wild plots or tidy endings. Go in ready to meet a gallery of beautifully flawed, deeply human characters. You'll come away feeling like you understand people—and yourself—a little better.



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