Emily of New Moon by L. M. Montgomery

(0 User reviews)   1976
By Ava Marino Posted on Jan 2, 2026
In Category - Geographic History
Montgomery, L. M. (Lucy Maud), 1874-1942 Montgomery, L. M. (Lucy Maud), 1874-1942
English
Meet Emily Byrd Starr – a fiery, imaginative orphan who's sent to live with her strict aunts on Prince Edward Island. While Anne Shirley might be Montgomery's most famous redhead, Emily is her secret weapon: a budding writer with a stubborn streak, a sharp eye, and a 'flash' of insight that lets her see the world's hidden magic. This book is about a girl fighting to keep her voice and her dreams alive in a house that wants her to be quiet and proper. It's less about finding a kindred spirit in the outside world and more about learning to be your own.
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could be seen from it although the village was just over the hill. Ellen Greene said it was the lonesomest place in the world and vowed that she wouldn’t stay there a day if it wasn’t that she pitied the child. Emily didn’t know she was being pitied and didn’t know what lonesomeness meant. She had plenty of company. There was Father--and Mike--and Saucy Sal. The Wind Woman was always around; and there were the trees--Adam-and-Eve, and the Rooster Pine, and all the friendly lady-birches. And there was “the flash,” too. She never knew when it might come, and the possibility of it kept her a-thrill and expectant. Emily had slipped away in the chilly twilight for a walk. She remembered that walk very vividly all her life--perhaps because of a certain eerie beauty that was in it--perhaps because “the flash” came for the first time in weeks--more likely because of what happened after she came back from it. It had been a dull, cold day in early May, threatening to rain but never raining. Father had lain on the sitting-room lounge all day. He had coughed a good deal and he had not talked much to Emily, which was a very unusual thing for him. Most of the time he lay with his hands clasped under his head and his large, sunken, dark-blue eyes fixed dreamily and unseeingly on the cloudy sky that was visible between the boughs of the two big spruces in the front yard--Adam-and-Eve, they always called those spruces, because of a whimsical resemblance Emily had traced between their position, with reference to a small apple-tree between them, and that of Adam and Eve and the Tree of Knowledge in an old-fashioned picture in one of Ellen Greene’s books. The Tree of Knowledge looked exactly like the squat little apple-tree, and Adam and Eve stood up on either side as stiffly and rigidly as did the spruces. Emily wondered what Father was thinking of, but she never bothered him with questions when his cough was bad. She only wished she had somebody to talk to. Ellen Greene wouldn’t talk that day either. She did nothing but grunt, and grunts meant that Ellen was disturbed about something. She had grunted last night after the doctor had whispered to her in the kitchen, and she had grunted when she gave Emily a bedtime snack of bread and molasses. Emily did not like bread and molasses, but she ate it because she did not want to hurt Ellen’s feelings. It was not often that Ellen allowed her anything to eat before going to bed, and when she did it meant that for some reason or other she wanted to confer a special favor. Emily expected the grunting attack would wear off over night, as it generally did; but it had not, so no company was to be found in Ellen. Not that there was a great deal to be found at any time. Douglas Starr had once, in a fit of exasperation, told Emily that “Ellen Greene was a fat, lazy old thing of no importance,” and Emily, whenever she looked at Ellen after that, thought the description fitted her to a hair. So Emily had curled herself up in the ragged, comfortable old wing-chair and read _The Pilgrim’s Progress_ all the afternoon. Emily loved _The Pilgrim’s Progress_. Many a time had she walked the straight and narrow path with _Christian_ and _Christiana_--although she never liked _Christiana’s_ adventures half as well as _Christian’s_. For one thing, there was always such a crowd with _Christiana_. She had not half the...

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After her father dies, eleven-year-old Emily is taken in by her stern Aunt Elizabeth and slightly softer Aunt Laura at New Moon Farm. It's a beautiful place, but the rules are rigid. Emily's vivid imagination, her need to write everything down in letters to her father, and her fierce pride constantly clash with her aunt's old-fashioned ideas. The story follows her as she navigates school, makes friends (and enemies), and slowly carves out a space for herself in this new life, all while holding tight to her dream of becoming a writer.

Why You Should Read It

If you only know Anne of Green Gables, you're in for a treat. Emily is different. She's more introspective, more observant, and frankly, more prickly. Her journey isn't just about finding love; it's about the sheer, stubborn act of creation. Montgomery pours so much of herself into Emily's struggle to write—the frustration, the joy, the need to capture a feeling in words. Reading this feels like getting the secret, behind-the-scenes story of an artist's heart. The supporting cast, from grumpy Cousin Jimmy to the wild Ilse Burnley, is brilliantly drawn and full of life.

Final Verdict

This is for anyone who ever felt like their imagination was too big for their circumstances. It's perfect for lovers of character-driven stories, for aspiring writers who need a shot of courage, and for readers who want a classic that feels surprisingly modern in its exploration of a young woman's inner world. Think of it as the quieter, deeper, and more fiercely creative cousin to Anne of Green Gables. You'll want to walk the dusty road to New Moon and stay awhile.



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